She sees Nathan stocking shelves at a store, lacking all the bravado he demonstrated in her yard as he timidly tries to hold onto his low level job. Sandra calls the acting sheriff (Jeremy Bobb), whose utter uselessness is summed up by his declaration that “around here, involving the authorities just makes things worse.” Sandra watches his half-hearted attempt at confronting Nathan and Samuel on her behalf, and while he does little to calm her nerves, she becomes fascinated by the two men with the truck. Then, seemingly out of the blue, the meandering film remembers it has a premise to pay off, and snaps back into thriller mode to deliver a violent ending that hits all the harder because of the added context. But it abruptly shifts course and becomes a leisurely character study that places its lethally high stakes on the back burner in favor of a workplace conundrum. The first act is downright Hitchcockian, setting up a battle of wills between Sandra and two mysterious men who refuse to stop trespassing on her property. To describe “God’s Country” as the thriller it’s billed as would be a half-truth, as well. You would be forgiven for thinking this sounds like the second coming of “Get Out,” but you’d also be wrong. Is she morally wrong to use external factors to pass judgement on people she doesn’t know? And is she statistically correct in assuming men like this could put her in danger? The movie explores both questions, and while it reaches no easy answer to the former, the latter ends up being an undeniable “yes.” ![]() They never explicitly threaten her safety, and their initial actions toward her result in little more than inconvenience. It’s a fair question to ask whether Sandra’s initial fear of Nathan and Samuel is completely justified. Everyone quickly doubles down on their worst assumptions about each other, using a truck parked in Sandra’s yard as a proxy battlefield in a war of attrition. People who look like them are just not supposed to be friends with people who look like her. They never say anything about her race or gender, but the sad reality is that, in a country that sorts everyone into two massive red and blue teams that have to compete in every sphere of society, they don’t have to. The truck belongs to brothers and hunting buddies Nathan (Joris Jarsky) and Samuel (Jefferson White), who claim they just need a place to park, even if they look like professional seat fillers at a Trump rally. ![]() When she leaves a note asking its owners to park somewhere else, they return the next day. One day after work, Sandra notices a mysterious red pickup truck parked on her property. Where to Watch This Week’s New Movies, from an Expanding ‘Asteroid City’ to ‘No Hard Feelings’
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